The Hideout
Musical
Platform Theatre
London, UK
November 2024

Directed by: Aimée Sweet
Lighting Design & Technician: Sheron Luo
During script readings, we learned that a sea storm was present in the prologue. I pulled this element into the work. The lighting was to depict a storm lighting through the windows of the pub. This was an attempt to create a sense of external chaos surrounding the confined space of the set.
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Based on historical research, I have decided the full-length version (scheduled for May 2025) will use wall-mounted light sources instead of overhead lighting. This is intended to reflect light sources of the 18th century; candlelight, oil lamps, and fireplaces. However, for the scratch performance (shown here), I deployed overhead lighting.
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Design Concept & Execution
Each environment had distinct lighting choices:
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Sea Storm at Night (Prologue) – Deep blue and gray washes mimicked crashing waves, while amber lanterns provided contrast.
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The Pub – Overhead lights were used in this version, but the final design will feature wall-mounted lighting and flickering firelight. Storm projections through the windows reinforced unease.
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The Tunnel – A low-lit, claustrophobic space, using portable oil lamps and ground-level floods for dramatic shadows.
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Dawn (Finale) – The storm clears as warm side lighting replaces flickering lamps, symbolizing change.
Process images below.
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Problem Solving & Evolution
With limited time, I pre-programmed transitions for efficiency. The lighting in this version was designed to be adaptable for the full-length show, ensuring a smooth evolution.
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Outcome & Reflection
The lighting was an attempt to blend naturalism and theatricality, with the storm-through-the-window effect deepening the atmosphere. The upcoming transition to period-accurate lighting is intended to further enhance authenticity, making light a key part of the storytelling.